When Anthony D’Amato was a junior at Princeton, he slipped a home-burned CD under the door of a professor — not a professor of music, and certainly no record executive.
It was the door of Paul Muldoon, the Pulitzer Prize-winning poet, critic and poetry editor of The New Yorker, who began to work with D’Amato. Five years later, the student is on the music scene, winning praise for folk-rock songs that demonstrate a plain, sometimes flip poetry of their own.
D’Amato’s new album is called The Shipwreck from the Shore. He spoke about the process behind it with NPR’s Scott Simon; hear the conversation at the audio link.