Christopher Plummer presents at the 66th Annual Tony Awards in 2012. Plummer has one two Tony awards, one of which was for his performance inBarrymorein 1997.
The first line of Richard III is one of the most famous from the most famous writer of the English language: “Now is the winter of our discontent.”
And so it was in 1942, the great actor John Barrymore prowled the stage of an empty Broadway theater to prepare for an audition to try to revive his first great performance, as Richard III. But that night, Barrymore also opened the traveling trunk of his overstuffed fabulous and troubled life.
Christopher Plummer won the Tony for Best Actor for his performance of this lion of the stage. And now, he has committed his performance to film.
Plummer’s Barrymore, directed by Erik Canuel, has opened in New York and Los Angeles. Plummer is an Academy, BAFTA and SAG award-winning actor, whose films include Beginners, The Insider, Star Trek 6 — not to mention a certain movie musical made in Austria. He speaks with Weekend Edition host Scott Simon about Barrymore as a man and a role.
On how he became familiar with John Barrymore
“I first came in contact with Barrymore by reading Gene Fowler’s book, Good Night, Sweet Prince when I was 14, and I thought, ‘My god, this is fascinating. This guy is so handsome, good looking, striking, romantic, athletic. And he can speak this wonderful verse.’ I said, ‘My god, he can do that and have all these girls and all that booze as well and still get up and be great. This is the profession for me.’ “
On why he thinks Barrymore wanted to play Richard III
“It was his actual first big classical success. It was the first time, as he says in the play, that he was taking really seriously as an actor. He’d been extremely good at light comedy and doing all the sort of contemporary parts of the time in plays that were not exactly masterpieces. And then he realized that he should try the classics.”
On why Barrymore drank so heavily
“He was quite a happy drunk for a while, I think. And then it became a sort of necessity to get him through Hollywood. I think he couldn’t bear Hollywood. He had this enormous distinction in both Richard III and in Hamlet, which he was the Hamlet of his time, there was absolutely no question about that. … I think he drank because he was disappointed in what he was given in the film colony to do.”
On working in his 80s
“I need – I need to work. I think I’m actually busier now than I have been for a long time, and that’s OK with me.”
“I need to pursue a profession that I love. And the fact that it is an extraordinary thing. You never stop learning how to act, both on screen and on the stage. I feel like I’m starting all over again. Every sort of decade I feel this, and that’s very satisfying.”