Iranian newspapers are rife with cartoons. They’re a tradition and play a big role voicing criticism of the authoritarian regime.
Increasingly, though, Iranian cartoonists have been imprisoned, received death threats, or gone into exile because of their work.
Omid Memarian was a journalist in Iran. Arrested in 2004 for his writing, he was taken to prison, tortured and forced into a confession of guilt on national television. He fled the country to continue to work as a journalist in the United States.
Now he’s edited a book published by the International Campaign for Human Rights in Iran. Sketches of Iran: A Glimpse from the Front Lines of Human Rights consists of 40 essays of political persecution paired with political cartoons from artists inside and outside of the country.
Memarian joined weekends on All Things Considered host Jacki Lyden to talk about the role of political cartoons in his home country.
On the history of political cartoons in Iran
“It’s a tradition in the Iranian media that each magazine, each newspaper, has a political cartoon, a bunch of political cartons every single day … Newspapers basically fight to have the best cartoonists for their newspapers.”
On how cartoons reach a larger audience
“I can write something and my audience is limited, but people from different ages and different social economic classes, they can understand the meaning of a cartoon … So I think in many ways cartoons are the best way to tell people a story.”
On the life of a cartoonist in Iran
“Many cartoonists in Iran have been arrested for the cartoons that they have drawn for newspapers, and the reason is because the Iranian government knows the power and influence of political cartoons. And for that, many political cartoonists have tried to become ambiguous and communicate a message in a way that it makes it hard for the government to come after them … After the election [in 2009] we saw a intense crackdown against journalists, civil society activists, lawyers.”