Diana Zlatanovski is a perfectionist — in the wonderful way that an anthropologist, photographer and museologist should be. She works with cultural artifacts at the Museum of Fine Arts in Boston and has immersed herself in the significance of collections for a decade.
That time spent studying the intricacy of groups has inspired her photo series, The Typology: beautiful, highly detailed photographs of various collections — both the individual objects and the collections as a whole. (And she has appropriately dubbed herself The Typologist.)
“There are many so fascinating objects in the world, some things we see everyday and might not even notice,” she says. “However, if you bring enough of them together, they start to tell a story and grab your attention.”
Typology is, basically, the study of types. One of her more interesting typologies is of a box of Plagiola capsaeformisshells collected from a river in Tennessee and wrapped in 1889 shipping manifests from the now-defunct Grand Rapids and Indiana Railroad.
She says each shell asks us to wonder about the scientist who first collected it, how he wrapped it and why, and how the whole box eventually made its way from Tennessee to Cambridge, Mass.
“Looking at collections makes you consider objects more carefully, and through that, the world around us,” she says. “As a photographer I find myself compelled to use my art to portray the importance of collecting and living with objects in our lives.”
Zlatanovski says she was first inspired by a collection of wrenches she discovered at an antique mall.
“There was something so compelling about this bin full of dozens of wrenches — the varied shapes and sizes, the different textures, the range of colors and patinas of the metal,” she says.
Zlatanovski photographs on a white seamless backdrop with her camera connected directly to her laptop. She says she obsesses over the lighting, which differs greatly even between similar items.
“I have learned so much about all of the different objects I’ve photographed,” she says. “For me, learning about and documenting what these objects are is equally as important as photographing them. We call the stories of a person’s life a biography, and these life histories are these objects’ biographies.”