Music

The Man In Black Goes To The County Fair

NPR | Feb. 23, 2013 7:26 p.m.

Contributed By:

Don Gonyea

I started out in radio more than 30 years ago. My first job right out of college was as a country-western DJ at WVMO, my hometown radio station in Monroe, Mich.

I have many boxes of cassette tapes stashed in my basement, including one that has a recording from the Monroe County Fair in the summer of 1981. I remember standing there with my microphone. To my right were the grandstands where they do the demolition derby. To my left was this big, silver tour bus. I was about to meet one of my musical heroes: Johnny Cash.

When I found out Johnny Cash was coming to the county fair, I tried to line up an interview, but I didn’t receive any response. I tried again, and nothing. Finally, a guy who worked at the fair said, “If you stand here at this railing, his tour bus is there, the stage is there. Maybe as he walks past, he’ll stop and talk to you.” And he did.

I asked him a few questions about his new album, The Baron. But I arrived at the fair that day not knowing if he’d stop to talk to us, so I didn’t have a big list of questions ready. He kept talking and he kept standing there, even though I kept expecting him to walk away. So, after a while, I raised what I didn’t realize at the time was kind of a sore spot: Country music was becoming more pop, less pure country.

“It’s really nothing new,” Cash said. “I did that 24 years ago with ‘I Walk The Line.’ It seems as if the record companies are trying for a ‘crossover hit.’ That’s not what country music is all about to me. Generally, when I’m in charge of the production of my records, I try to record the best Johnny Cash song I can find and do it in a way that’s comfortable for me. Hopefully the people will like it. Usually, they’re unadorned and not overproduced.”

Five, six, seven minutes passed and I was out of questions. So I asked him, “How’d you get to be The Man in Black?” I cringe a little bit when I hear myself ask that question, but you’ve got to love his answer.

“For one reason, it’s a little more slimming,” Cash said. “I wrote a song called ‘Man in Black’ about 1970. In the song, you see where I pointed out some of the problems and the ills that we have in this country. But I point to myself as being one of those people responsible for correcting some of those problems and unfortunate things that happen to people here.”

This was not a good point in Johnny Cash’s life. The new album that I asked him about flopped and he couldn’t really get on country radio anymore. “Folsom Prison Blues” had been 12 years earlier and it was another 12 or 13 years before he would have that late-career comeback. But on that day, he was way nicer to me than he had any reason to be. I was just this kid wearing a plaid shirt and a corduroy vest from some local radio station that he’d never heard of, but he took the time to answer all of my questions, even the stupid ones. I didn’t fully appreciate it at the time, but that is what I love about this interview all these years later.

Eventually, he had to wrap it up and head to the stage because he had a show to do. But just before he did that, I ceased being this accidental journalist and I let myself be a fan. I brought the album sleeve from one of his recent LPs with me and I asked him if he’d sign it. I still have that signature.

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