Alberta Street Pub
1036 NE Alberta St.
Sept. 5, 2014, 9 p.m.
If you could soundtrack the jangle of the sea and the jazz of the surf, the Mattson 2 would most certainly be the composers. The foot stomps of a shoe-gazed salty air meets the tight groove and polished shake of the night with each of the duo’s multi-layered tracks. And with their third record, “Feeling Hands” (Galaxia records. Produced by Thomas Campbell), audiences around the globe are witnessing the growth of two musicians hitting full stride with deft layering, detailed composition and an altogether unmistakable sound. With their signature suits in tow, both Jared and Jonathan have relentlessly toured throughout Brazil, Paris, Spain, Japan, Denmark, Finland, The Netherlands, and the United States, generating global acclaim while also further curating their sound into a musical kaleidoscope that brings to mind everyone from Charles Mingus and Chet Baker to the Smiths and the Jesus and Mary Chain. They have acquired a pair of Bachelor’s degrees in music with an emphasis in Jazz and African studies from the University of California San Diego, and even more recently received their Masters of Fine Arts degrees in Music from University of California Irvine. At UC Irvine, they were a part of the Integrated Composition, Improvisation, and Technology program (ICIT). Having performed with the likes of Ray Barbee, Tommy Guerrero, Money Mark, John McEntire, Edward Sharpe and the Magnetic Zeros, Cornelius, Farmer Dave Scher, Dave Pike, Jeff Parker, Mark Dresser, Nicole Mitchell, Anthony Davis, and George Lewis, the Mattson 2 have grown up quick, accomplishing more in a short time than many musicians in their entire career, and thus further providing a mature sound that is equally at home on the beach as it is in the jazz club. So tighten that tie, turn up the volume, dig your toes in the sand and soak in the shimmery whitewash of the Mattson 2.
The pocket is played out. The Satin Chaps live in the groove. Hailing from Portland, Oregon, the European style go-go/ soul octet ply their trade in the largely uncharted waters of 60’s groove-pop composers like Ingfried Hoffman, Gert Wilden, and Heidi Brühl. To make it palatable stateside (and to make it their own), they mix hints of American purveyors like Memphis soul kings the Bar-Kays and Pac NW garage legends the Wailers.
Formed around the core of drummer Luke Strahota (he of the High Violets), bassist Eric Hedford (of Dandy Warhols fame), and keyboardist Peter Dean (former Fast Computers frontman), the ensemble has exploded forth from its inception in 2010. Aided by the howl of their three-piece horn section, the whiz-bang of their Hammond organ, and the percussion necessities to make it all sparkle, the Chaps specialize in sweaty, booty-shaking, good-times music.
The group’s self-released debut long player, Might I Suggest The Satin Chaps, is part homage to the likes of Booker T and the MGs and Herb Alpert’s Tijuana Brass. Moreover, it’s the birth of a fertile new playground in the oft-mined heritage of garage and soul–all deep in the groove.