Nataki Garrett (left, photo by Christopher Briscoe), Scarlett Kim (right, photo by Kyu Sun Hong)
Kyu Sun Hong / OPB
On this episode, we launch a special collaboration with Oregon Shakespeare Festival. Throughout this season of “The Archive Project,” we will feature a series of conversations about OSF’s work, exploring storytelling in the intersections of playwriting, theatre production and performance, and literature.
This episode features a conversation between Nataki Garrett, OSF artistic director, and Scarlett Kim, the associate artistic director of innovation and strategy. They discuss The Cymbeline Project, an upcoming OSF hybrid production: part theatre, part film, part visual art. As Nataki and Scarlett point out in their conversation, Shakespeare is built to be open to interpretation–to “do” Shakespeare is to experiment; to be true to the text is to break it apart.
In the episode, you will hear a scene from The Cymbeline Project, featuring actors Carolyn Zeller, Jessica Ko, and Shyla Lefner.
View more information about The Cymbeline Project on OSF’s website here: https://www.osfashland.org/en/productions/2022-Digital/cymbeline-project.aspx
Bio:
Nataki Garrett is the Oregon Shakespeare Festival’s sixth artistic director. Since her appointment in April of 2019, she has guided the organization through numerous transitions and crises, all while building toward a more sustainable producing and fundraising model. Garrett’s forté and passion is fostering and developing new work, including those that adapt and devise new ways of performing the classics. She has directed and produced the world premieres of many well-known and important playwriting voices of our time, including Katori Hall, Branden Jacobs-Jenkins, Dominique Morriseau and Aziza Barnes. Garrett is a recipient of the first-ever Ammerman Prize for Directing, given by Arena Stage. She also received the National Endowment for the Arts and Theatre Communications Group Career Development Fellowship for Theatre Directors. She is a member of the Stage Directors and Choreographers Society and a member of the board of directors for Theatre Communications Group, a company member at Woolly Mammoth, and an advisory board member for Mixed Blood Theatre. Garrett is a graduate of California Institute of the Arts with an MFA in directing. Full bio here.
Scarlett Kim is a diasporic Korean director, artist, and producer who uses participatory performance and mixed-reality technology to enact social change. She serves as the Associate Artistic Director and Director of Innovation & Strategy at the Oregon Shakespeare Festival. Scarlett originates, directs, and collaborates on multimedia projects across theatre, visual art, and new media contexts internationally. She is passionate about creating unclassifiable spaces and uplifting underrepresented voices at the intersection of art, technology, and community through rhizomatic collaboration. Scarlett received her MFA in Theatre Directing from California Institute of the Arts and a BA in Theatre & Performance Studies and Visual Arts from the University of Chicago. Full bio here.